Caporciano is a small village, just two hundred inhabitants, stone houses gathered at an altitude of 836 metres, overlooking the vast Navelli plain like a natural balcony. Here the silence tells of castles, monasteries, medieval wars and a faith that has left extraordinary traces among the rocks and fields.
Strolling through the alleyways of Caporciano
Caporciano is a town of medieval origin, born in a dominant, strategic position, as if to control every movement in the valley below. But its ancient heart also beats not far away, in the hamlet of Bominaco, the most remote and evocative nucleus, where already in the 11th century a castle stood guard over the territory. In 1254, Caporciano and Bominaco contributed to the foundation of L'Aquila, a choice that cost them the devastating attack by Braccio da Montone during the L'Aquila War. After that siege, the castle was partly destroyed and abandoned, and the monastic complex of Santa Maria Assunta itself was downsized. In Caporciano, the ancient castle was turned into a parish church and the tower became a bell tower: a sign of a community that knew how to reinvent its wounds.
Walking between the two villages today, one can still perceive their medieval imprint, which has remained intact thanks to their impervious position that has protected them from major urban upheavals. The modernisation of the provincial road in 2012 has made this hidden corner of Abruzzo more accessible, reopening a dialogue between the village and the valley.
But what makes Caporciano and Bominaco an extraordinary destination is their artistic heritage, capable of surprising even the most experienced visitor. In the centre of Caporciano, the church of San Pietro, founded in the 13th century, houses a precious ciborium and 16th-century frescoes that speak of a refined devotion, far from the idea of an isolated Middle Ages. In Bominaco, on the other hand, one enters a true treasure chest of art. The Oratory of San Pellegrino, rebuilt in the second half of the 13th century by Abbot Teodino and re-consecrated in 1263, presents itself on the outside with sobriety, almost shy. But it is enough to cross the threshold to be left breathless: the interior is entirely covered by a cycle of 13th-century frescoes, considered one of the greatest masterpieces of Romanesque-Gothic Abruzzo. The Stories of the Infancy and Passion of Christ, the Life of Mary, the still intense colours covering the walls and vaults transform the small chapel into a true “Sistine Chapel” of Abruzzo, immersed in the silence of the plateau.
Just above, the remains of Bominaco Castle tell of the military might of the past: a trapezoidal enclosure punctuated by square towers, dominated by an imposing cylindrical tower with a scarp base that still towers over the valley. From up there, the view runs free over the Piana di Navelli, between cultivated fields and wide horizons, and one understands why this place was so coveted and disputed.
In the territory of Caporciano there is also another fascinating, isolated and solemn presence: the church of Santa Maria de’ Centurelli, built in the 16th century at a strategic point along the crossroads between the L'Aquila-Foggia sheep-track and the Centurelli-Montesecco sheep-track. It was a resting place for shepherds and pilgrims, a crossroads for men and flocks, a symbol of that Abruzzo crossed by transhumance. The portal of 1558, simple and powerful, recalls essential Romanesque forms, almost as if it wanted to dialogue with the bareness of the surrounding landscape.
Caporciano is not a town that imposes itself with great numbers or clamour. It is a place that reveals itself slowly, amid ancient stones, deep silences and unexpected treasures hidden behind austere facades. Here, history is not a museum tale, but a concrete presence; art is not a crowd, but contemplation; and the valley, with its wide light and changing colours, accompanies every step like a natural setting unchanged over the centuries. Visiting Caporciano and Bominaco means entering a cosy and authentic dimension, where the most intimate Abruzzo continues to guard, almost in secret, some of its most precious masterpieces.
